The last area on the display is the Master section. When you enable the MS Mode button, the left/right panning controls will then function as mid/side controls. From here you can change the panning for the early/late signals, and increase/decrease the gain for each as well. Gain, frequency, and bandwidth controls are also present. Three types of filtering are available: high shelf, low shelf, and bell. There are two of these actually, one each for the early and late reflections. To the right of that section control to adjust a single-band parametric EQ. This will dial in an amount of modulation for the reflections, and it sounds like it causes the pitch to slightly waver in a semi-random fashion. Last but not least in this section is the Modulation control. The available controls located here are Pre-Delay (up to 500ms), Size, Bass Cut, Crosstalk between the left/right channel delay lines (only on the Early reflections tab), Feedback (Late reflections tab only), Attenuation – similar to a tone control since it can adjust the sound of the reflective surface, and Diffusion – changes the way the reflected sound is affected by the surface from which it is reflected. Once you’ve selected either the Early or Late tabs, you can change many of the parameters. One of the best parts of Toraverb 2 is that it has many controls separated by the early or late reflections. Many of the controls that change the “guts” of the sound are over on the left side of the display. – maybe you don’t like how your edits have gone amiss), and Save a preset. Other functions include the ability to Initialize the settings (INIT – start a preset from basic settings), Reload a preset (i.e. You can also skim through the presets by using the Previous/Next buttons. To the right is the display for the current preset, and clicking on that will open the browser in which you can choose from the many other presets that are on board. A couple of the items available under the Options menu are processing quality settings and display size choices. Along the top of the display and buttons are menus for various functions. One great thing about the display (besides how nice it looks) is that there are two different sizes. Installing Toraverb 2 was simple, and you can activate it online by logging into your D16 account or by downloading an activation file to activate it offline.Īfter you’ve added it to a track or a bus in your DAW, you’ll be presented with the display. AU, VST and AAX versions are available (32-bit and 64-bit). On the Mac, you’ll need OS X 10.7 or higher, 2.5 GHz CPU (2.8 GHz is recommended), 4+GB of RAM. It has VST and AAX versions available (32-bit and 64-bit). Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz multicore CPU with SSE (2.8 GHz multicore is recommended). Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.įor each of these products, I will quickly cover their system requirements (as they aren’t all the same) and take a look at many of their controls and functionality. The most powerful modulation effect D16 group has ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation, and much more. Toraverb v2.0.2 – space modulated reverb.Tekturon v1.0.8 – multitap sequenced delay.Syntorus v2.0.0 – triple path analog chorus.Sigmund v1.1.2 – high-quality flexible delay unit.Repeater v1.1.5 – vintage modeled delay.Redoptor v2.0.1 – vintage tube distortion.Godfazer v1.0.1 – advanced modulation unit.
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Vocally, Lanez shifts back and forth through a number of approaches and continues to show that he's most affecting when in vulnerable falsetto mode, as on "Cold Hard Love" and "High." He's definitely more skilled at singing than he is at rapping. It's padded out with skits that effectively add a part-biographical, part-fantastical filmic edge, but there's ultimately a solid 40-minute album within the 79-minute program. Likewise, I Told You is excessive in length, a quality it shares with Drake's albums. He might be able to leave it once he's able to refrain from reactionary creative choices, like covering the Caribbean-flavored "Controlla" and recording the trend-hopping "Luv," included here, in its wake. I Told You, an uneven and promising debut album made of almost entirely new material, shows that Lanez remains in Drake's shadow. 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